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It’s Easter once again, and a demonic form of the Easter Bunny has risen to wreak havoc upon a small town. The local population quickly begins to dwindle as it murders everyone in its bloody path. One by one the hearts of its victims are torn out and collected in a basket to feast upon.
Ostwind and Mika have found a real home at the farm Kaltenbach with Mika’s grandmother. In the hustle of running therapy center and due to Mika’s fame as a horse-whisperer, she feels that she doesn’t have enough freedom and time to ride. After a serious disagreement with her grandmother, Mika secretly sets off for the night in eastern Andalusia, Spain, where she suspects Ostwind’s roots are.
A group of friends and family descend into the Everglades swamplands for their annual hunting trip only to discover that they are the ones being hunted. A malevolent entity is tracking them and they begin to realise one of their party may be possessed by something brought home from a tour of duty in the Middle East – a demon of war so horrible and deadly they are unaware of its devilish presence. Or are they facing something even more unspeakable, a legendary Native American curse about to unleash its dreadful legacy of thirsting for colonial revenge by claiming more souls?
When immigrants Attila and Jana resettle in a rural Australian town as part of a government policy to populate isolated areas, they consider themselves lucky. Although they must work on a wind farm in the middle of nowhere, they have each other, and soon, a family. Problems with narrow-minded locals, the isolation, backbreaking labor and immigration officials are the least of their worries when bad things begin to happen to the animals and people in town. As the situation escalates, and fear begins to motivate them, Attila and Jana begin to wonder – are the Turbines only onlookers or guilty of the unthinkable?
After getting fired from her job as a maid at a ritzy New York City hotel, Allie reluctantly accepts a temp gig as the governess to a young girl who is part of a powerful family in Europe that lives in an actual castle. After arriving, Allie learns the girl is named Princess Theodora and her father is Maximillion, the King of Winshire. The King informs Allie that the Princess has a tendency to terrorize authority figures, a predilection that has grown worse since her mother’s death. Yet governess and Princess wind up hitting it off while at the same time a spark forms between Allie and Max. However, Countess Celia is expecting to wed the King. Will Max take a stand for his feelings for Allie and make it truly a merry Christmas for all (or at least, most)?
The 3-D action-thriller Sanctum, from executive producer James Cameron, follows a team of underwater cave divers on a treacherous expedition to the largest, most beautiful and least accessible cave system on Earth. When a tropical storm forces them deep into the caverns, they must fight raging water, deadly terrain and creeping panic as they search for an unknown escape route to the sea. Master diver Frank McGuire (Richard Roxburgh) has explored the South Pacific’s Esa-ala Caves for months. But when his exit is cut off in a flash flood, Frank’s team–including 17-year-old son Josh (Rhys Wakefield) and financier Carl Hurley (Ioan Gruffudd)–are forced to radically alter plans. With dwindling supplies, the crew must navigate an underwater labyrinth to make it out. Soon, they are confronted with the unavoidable question: Can they survive, or will they be trapped forever?
Maynard, a beloved local businessman is mistaken for the legendary Bigfoot during an inebriated romp through town in a makeshift gorilla costume. The sightings set off an international Bigfoot media spectacle and a windfall of tourism dollars for a simple American town hit by hard times. When Brock Masterson, reality TV’s “Monster Hunter,” arrives to hunt the beast, Maynard agonizes over whether to come clean, destroying the rebirth of his beloved town, or perpetuate the inadvertent hoax.
In a room with no windows on the eastern coast of Africa, an Englishman, James Moore, is held captive by jihadist fighters. Thousands of miles away on the Greenland Sea, Danielle Flinders prepares to dive in a submersive to the ocean floor. In their confines they are drawn back to the Christmas of the previous year, where a chance encounter on a beach in France led to an intense and enduring romance.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West’s most maligned musical genre – heavy metal – has impacted the world’s cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world’s emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren’t just absorbing metal from the West – they’re transforming it – creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
In 1942, Henan Province was devastated by the most tragic famine in modern Chinese history, resulting in the deaths of at least three million men, women and children. Although the primary cause of the famine was a severe drought, it was exacerbated by locusts, windstorms, earthquakes, epidemic disease and the corruption of the ruling Kuomintang government.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa
Johnny and Tanner are two brothers raised in a violently dysfunctional family, with a brutal psychopath for a father. One day, their father’s abuse of their mother goes too far and tragedy strikes. Tanner winds up in jail, and Johnny is sent to a foster home, where he finally knows a stable life and a caring family. Years later, Johnny (Scott Waugh) is a college student with good marks and good prospects ahead of him, while Tanner (Sean Graham) is trying to dig himself out of a life of crime. Tanner calls Johnny and asks him for a favor — he’d like his brother to vouch for him in a hearing with his parole officer in Hollywood. Johnny agrees, but then discovers that the hearing isn’t in nearby Hollywood, CA, but on the other side of the country in Hollywood, FL. A promise is a promise, and Johnny and Tanner hop in Tanner’s ancient Lincoln Continental with only 12 dollars to their name, hoping the fates will guide them safely to the East Coast.
